The third photograph by Sam Taylor-Johnson that I thought was worth writing about was this photograph of a car in the dark. A spotlight appears to be shining over the car, lighting it up in a room of darkness. Whilst looking through all of my photographs, I noticed that the majority of them are taken during the day, in the sunlight. I therefore plan in the future to shoot at night, or at least when it gets dark and use different sources of light, such as lamps, or even the flash on my camera depending on what I am photographing.
The fourth photograph by Sam Taylor Johnson is one quite similar to the first one, except this time there are no balloons holding the woman up, making her seem as if she is floating in mid air all by herself. I think this photograph is very inspiring due to the fact that the amount of editing that must have gone into this is huge. There is nothing in this photograph to suggest that it is fake, so it has been edited very thoroughly which I would like to somehow replicate in my future work.
Just from looking at a few of her photographs, I could tell that Sam Taylor-Johnson would be an influence to me in terms of her editing skills. She has allowed me to realise that the editing in my work tends to reach a limit of 'multiple imagery', but I now intend to do shoots that include vast amounts of editing in order to reach new styles of photography. Also, I would need to think about what I am going to be editing before I take any photographs, so that I could plan it all out and have my photographs portray exactly what I need them to.
To summarise, Sam Taylor-Johnson is famous for her skills in editing photographs into unreal situations, such as balancing on tilting chairs, being suspended by balloons, and floating in the middle of a room. These photographs have been really interesting to me to look at and I am quite sure I will refer to Sam Taylor-Johnson's work in the future again when taking photographs that require a lot of editing.
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